Acknowledgements and Further Reading

Acknowledgements

We extend our greatest thanks and gratitude to Melinda Latour (Tufts University Rumsey Family Assistant Professor in the Humanities and Arts, and Assistant Professor of Musicology) and Christopher Barbour (Tufts University Curator of Rare Books & Humanities Collections Librarian) for their advising and support throughout our research.

This exhibit was made possible by the contributions of the following:

Nicolas Bell

Marietta Cambareri

Eve Duffy

Miklós Földváry

Heather Klish

Elizabeth Morrison

Patrick Murphy

Christoph Stöttinger

Riccardo Strobino

Further Reading

Bower, Calvin M. "The Sequence Repertoire of the Diocese of Utrecht." Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 53, no. 1/2 (2003): 49-104. Accessed October 4, 2020. http://www.jstor.org/stable/25047126.

Fassler, M.E., P.M. Fassler, F.K.C.C.L.M.I. Fenlon, P.M.T.F. Kelly, and J. Stevens. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Cambridge Studies in Medieval and Renaissance Music. Cambridge University Press, 1993.

Giraud, Eleanor. “The Dominican Scriptorium at Saint-Jacques, and its production of liturgical exemplars.” (2015).

Haller, Robert B. “Early Dominican Mass Chants: A Witness to Thirteenth Century Chant Style (Gregorian, Liturgical Music, Order of Preachers, Cistercian).” Ph.D., The Catholic University of America, 1986. 

Hiley, David. “Some characteristic neumes in North French, Sicilian, and Italian chant manuscripts.”  In The Calligraphy of Medieval Music, edited by John Haines. Belgium: Brepols Publishers, 2011.