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                <text>Une prière laïque pour les migrants en Méditerranée</text>
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                <text>Le poème, « Notre Mer, qui n’es pas aux Cieux », de l’écrivain italien, Erri di Luca, est écrit dans la forme d’une prière. Même s’il n’inclut aucun élément religieux, di Luca utilise le Notre Père comme modèle ; il adresse la mer directement, la personnifiant, comme on adresserait Dieu. Le titre est un jeu de mots entre les mots « mer » et « mère ». Il la supplie d’être protectrice des migrants qui la traversent au lieu de prennent les vies des innocents. Il écrit, « Notre mer qui n’es pas aux cieux à l’aube tu prends la couleur du froment / Au coucher du soleil, celle des raisins à la vendange / Nous t’avons semée de noyés, plus que n’importe quelle tempête » (9-11). Comme Assalti Frontali, il admet la beauté de la mer ; il crée des images fortes de la majesté de ses couleurs et sa grandeur. Cependant, ces images sont en contraste saisissant avec les unes qui montrent les horreurs qui se passent au même endroit. Il décrit la mer comme cimetière, une image qui apparait souvent dans la littérature de migration. On voit cette image dans Le pain nu de Mohamed Choukri dans la phrase « on commence à voir des corps sur le sable, rejetés par la mer » (Choukri, 125) et aussi dan à ce stade de la nuit quand de Kerangal écrit que la mer est « peuplée de cadavres, hantées de fantômes » (de Kerangal, 66). Tous ces corps sont l’évidence du bilan que ce travers prend sur les migrants. Leurs histoires meurent avec eux ; ils sont même plus invisibles que ceux qui survivent, ils restent anonymes pour toujours. &#13;
&#13;
La beauté et la mort sont deux vérités du même espace, mais trop souvent, on se laisse à oublier le dernier, alors di Luca les met côté à côté pour accentuer notre ignorance. Cependant, il ne rejette la faute sur personne, dont la mer ; son ton n’est pas accusatoire, même des ignorants. Le poème termine avec ces lignes : « Tu gardes les vies, les visites, tombées comme des feuilles sur les boulevards / Tu fais office d’automne pour elles, de caresse, d’embrassade, de baiser sur le front / De mère et de père, avant le départ » (16-18). Il lui demande de protéger les vies des migrants qui sont assez courageux de tenter le passage et de les montrer la tendresse. Son ton est plus optimiste des celles de Assalti Frontali et Jacques Prévert. Il pense d’un futur où les tragédies de migration diminueront ou peut-être arrêteront. Il ne supplie pas vraiment avec la mer, mais avec tous les citoyens italiens et d’autres de ne pas laisser les migrants à mourir à cause de l’ignorance. &#13;
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Le vers de Assalti Frontali et Erri di Luca sont les deux des appels pour la reconnaissance du problème accablant de la migration clandestine en Europe. J’ai choisi d’inclure le poème précédant de Jacques Prévert comme l’évidence que l’invisibilité des migrants dans la société occidentale a été un problème pendent les années et il n’améliore pas. Ces trois œuvres sont des tentatives de terminer l’ignorance vers les migrants. Ils essaient d’inspirer leurs lecteurs ou écouteurs à écouter les voix de ces hommes/femmes-frontières et à trouver l’humanité qu’on manque.&#13;
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                <text>1619 edition owned by Biblioteca Nazionale Centrale di Firenze available:&amp;nbsp;&lt;a href="https://archive.org/search.php?query=source%3A%22http%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DV_YD08l97fkC%26hl%3D%26source%3Dgbs_api%22"&gt;http://books.google.com/books?id=V_YD08l97fkC&amp;amp;hl=&amp;amp;source=gbs_api&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;1636 edition owned by Getty Research Institute available: &lt;a title="Getty" href="https://archive.org/details/sceltadalcunimir00lott%20"&gt;https://archive.org/details/sceltadalcunimir00lott &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;1636 edition owned by Getty Research Institute available: &lt;a title="Getty" href="https://catalog.hathitrust.org/Record/100235420%20"&gt;https://catalog.hathitrust.org/Record/100235420&amp;nbsp;&lt;/a&gt;</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>17th-century books in Special Collections</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Cristelle Baskins</text>
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              <description>A related resource from which the described resource is derived</description>
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              <description>An entity responsible for making the resource available</description>
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                  <text>Tisch Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>17th century</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>text</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>eng.</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>17th century</text>
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          <name>IIIF Collection Metadata</name>
          <description/>
          <elementContainer>
            <element elementId="63">
              <name>UUID</name>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="1">
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          <description>Any textual data included in the document</description>
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              <text>Ulysses: dass ist, allerhand Begebenheiten, welche sich zugetragen in der griechischen Ruck-Reiss oder Heimbfarth Ulissis nach der Zerstörung der Statt Troja: durch den Welt-berühmten Mahler Sieur Nicola in 58 Figuren künstlichster Masen fürgebidlt, welche zu sehen in dem königlichen Hauss zu Fontaine Bleau.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="10314">
              <text>Engraving. </text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="10295">
                <text>Kilian. Title page. </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Early printed books</text>
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                <text>Baroque engraving</text>
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              <elementText elementTextId="10298">
                <text>Illustration of books – 17th century</text>
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              <elementText elementTextId="10299">
                <text>Title page</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Image of the title page and inside cover with marbling decoration. Handwriting on the upper right-hand portion of the page. Title page text framed by illustration. Ulysses: dass ist, allerhand Begebenheiten, welche sich zugetragen in der griechischen Ruck-Reiss oder Heimbfarth Ulissis nach der Zerstörung der Statt Troja: durch den Welt-berühmten Mahler Sieur Nicola in 58 Figuren künstlichster Masen fürgebidlt, welche zu sehen in dem königlichen Hauss zu Fontaine Bleau. 1678</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bartholomäus Kilian&#13;
</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="10302">
                <text>Special Collections   BL820.O3 K55 1678 </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="10303">
                <text>Tufts University. Tisch Library.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1678</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Nicolò dell' Abate, illustrator &#13;
</text>
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              <elementText elementTextId="10306">
                <text>Francesco Primaticcio, illustrator </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc-sa/4.0/" target="_blank"&gt;Attribution-NonCommercial-ShareAlike 4.0 International&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Image/jpeg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>ger</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="10310">
                <text>image</text>
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            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>17th Century</text>
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              <elementText elementTextId="10312">
                <text>Germany </text>
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        </elementContainer>
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        <name>IIIF Item Metadata</name>
        <description/>
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            <name>UUID</name>
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    <tagContainer>
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        <name>Baskins</name>
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        <name>Brosnan</name>
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      <tag tagId="378">
        <name>FAH42</name>
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