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Tufts Professor of Philosophy Erin Kelly was John Rawls’s student at Harvard. It is to her, and to Mardy Rawls, wife of John Rawls, that Tisch Library owes thanks for this collection of books which allow us into the philosopher’s study, where we may eavesdrop on the conversation there.</text>
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Bolles died at his residence (now known as Bolles House) in 1920. As a memorial to his long &amp; distinguished service to Tufts, the trustees purchased his collection for the college library. Along with the Hosea Ballou and Walter Welch Collections, it is one of the largest named collections in Tisch, supporting research to this day, indeed a student project provided the title image of the book on the plague in London.</text>
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&#13;
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&#13;
1. Leaf from a French Book of Hours, 15th century&#13;
2. MS 9, Book of Hours, Netherlands, 15th century&#13;
3. Walter F. Welch, Jr., Tufts yearbook photo, 1928&#13;
4. Welch’s bookplate in a 16th century copy of Cicero&#13;
5. Leaf from a Gutenberg Bible, about 1450-1455&#13;
6. Miniature in MS 2, Book of Hours, France, 15th century&#13;
7. Signature of preeminent Shakespearean actress Ellen Terry, an earlier owner of MS 7, Gospel sequences for Holy Week, Italy, 15th century&#13;
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9. Clippings from the Tufts Weekly</text>
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&#13;
In an age when copyright was weak or non-existent, and pirated editions were commonplace, the printer’s mark asserted identity, authenticity, and authority. These are from the 15th through early 17th centuries.&#13;
&#13;
1. Charlotte Guillard’s mark&#13;
2. Scholar-printer Aldus Manutius, among whose innovations were the Italic font and the first practicable Greek font.&#13;
3. Henri Estienne (Stephanus), whose 1578 edition of Plato’s works established the system of reference and organization used to this day.&#13;
4. Ottaviano Scoto&#13;
5. Ioannes Maire&#13;
6. Paolo Meietti&#13;
7. Alessandro Bindoni&#13;
8. Giunti family&#13;
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1. In memoriam, Alfred Tennyson, printed and bound at the Roycroft artisan community in East Aurora, NY, 1898&#13;
&#13;
2. Sir Perecyvelle of Gales, printed by William Morris at his Kelmscott Press, 1895, and bound by Ellen Gates Starr, social reformer and co-founder of Hull House with Jane Addams&#13;
&#13;
3. Native of Winby, Sarah Orne Jewett, Boston, Houghton, Mifflin &amp; Co., 1893&#13;
&#13;
4. Poems on various subjects, Phillis Wheatley, Boston: A. Bell, 1777&#13;
&#13;
5. Flagello militare, printed at Naples, 1676, in royal binding, from the library of Charles II, King of Spain (1661-1700)&#13;
&#13;
6. De republica libri sex, Jean Bodin, printed at Frankfurt, 1609, with gauffered edges in a parchment binding&#13;
&#13;
7. Cicero’s Rhetoric, printed at Lyon, 1560&#13;
&#13;
8. Adages, Erasmus, printed at Geneva by Robert Estienne (Stephanus), 1558, in a blind-tooled leather binding that has lost its clasps&#13;
&#13;
9. Several books of the Old Testament, with commentary, printed between 1501-1510, in its original chained binding, to prevent unauthorized removal from an institutional library&#13;
&#13;
10. Tufts University MS 24, a Dominican miscellany copied in Italy with texts from two periods, c. 1280-1340 and 1450-1500.</text>
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                <text>We continue a week devoted to the arts of book making and book ownership with a selection of bookplates. Ex libris = From the books (library).&#13;
&#13;
The first is a visual pun on the name of Alfred Church Lane, Pearson Professor of Geology &amp; Minerology, 1909-1936, after whom Lane Hall is named.&#13;
&#13;
The second is from a collection of French author George Sand's early editions, from the library of the great Sand scholar, Georges Lubin (1904-2000). When Tufts professor Isabelle Naginski received a transatlantic phone call from her daughter, reporting that the books of Professor Naginski's late colleague were on sale in a Paris antiquarian bookshop, further hasty phone calls snared some of these historically and editorially valuable books for Tufts. Prof. Naginski's research on the novel, Lelia, is based on the early copy in our Lubin collection.&#13;
&#13;
The bookplates of Bloomsbury figures Lytton Strachey and Roger Senhouse grace their copy of Boccaccio's Decameron, published in Amsterdam, 1665.&#13;
&#13;
While other readers in this collection of plates are less well known to us, their artistic or whimsical sensibilities live on to inspire new readers.</text>
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