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&lt;div style="text-align: left;"&gt;Le Front National a dissimulé un récit fondamentalement anti-immigré qui repousse le débat vers un espace discursive hostile à la communication et à l’inclusion des milliers d’immigrés clandestins qui doivent être géré par l’administration de Macron. La loi de l’immigration qui était approuvé par l’Assemblé Nationale le 23 avril 2018 marque un tremplin inquiétant pour les députés de la gauche en France&amp;nbsp;; ils sont concernés que la formation politique de Macron, «&amp;nbsp;En Marche&amp;nbsp;», va devenir plus sévère aux immigrés clandestins en France à l’avenir. Les «&amp;nbsp;objets&amp;nbsp;» suivants va analyser le discours de Marine le Pen et du François Macron sur le sujet de l’immigration et les implications de leurs positions. En effet, ce discours a des implications dans l'imaginaire de la méditerranée parmi le public européen et globale.&amp;nbsp;&lt;/div&gt;&#13;
&lt;br /&gt;Conclusion&lt;br /&gt;On doit questionner tous dans le récit du Front National et même dans le récit du Macron, qui a soutenu une loi qui va minimiser le temps de créer une application de l'asile en France. Cette loi est troublant parce que les migrants n'auront pas la possibilité de faire l'appel s'ils soient rejettés la première fois - on a jusque deux semaines pour créer un appel au gouvernement de remonter un cas de l'asile (Jazeera, 1). Ces mandats spécifiques et sévères ne constituent pas "l'humanité" avec lequel Macron a promis de travailler. En fait, on doit analyser le discours de Macron et Le Pen pour comprendre le danger du récit anti-immigré en France. Ce discours a des effets assez répandus par rapport à l'imaginaire de la Méditerranée, et à la compréhension de la mer comme une frontière qui doit devenir un mur dur.</text>
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                <text>&lt;p&gt;Dans cette affiche, on voit les liens entre l’immigration et la religion dans le récit idéologique de Marine le Pen et du Front National. Quand on décide de “choisir” la banlieue, on a le choix de la femme voilée et une femme sans voile avec les couleurs du drapeau français sur sa peau. Immédiatement on voit l’idée que la femme voilée ne peut pas être “vraiment” française - elle s’est placée l’opposé de l’autre image de la même femme vraisemblablement sans voile et plus «&amp;nbsp;patriotique&amp;nbsp;» avec les images du drapeau français. Cela implique une altérité extrême de la religion d’Islam et les musulmans qui se situent en France. Pour le Front National, “notre banlieue,” c’est la banlieue où on impose aux autres une certaine croyance plus “acceptable” en France. Du même sujet, l’affiche qui plaint du chômage implique que les “vrais français” sont remplacés par les immigrés légaux et clandestins. L’affiche est marquée avec la phrase “les français d’abord,” qui signale un discours populiste du Front National.&lt;/p&gt;&#13;
&lt;p&gt;Le thème de la religion et ses liens avec l’immigration est assez répandu dans la littérature française. On voit dans le film «&amp;nbsp;Welcome&amp;nbsp;» de Philippe Loriet que les immigrés souffrent d’une altérité chronique soutenue par l’illégalité de leur existence dans le Pas-de-Calais et de l’interdiction de recevoir de l’aide des citoyens privées du village. Les conséquences de l’isolation de cette population sont claires&amp;nbsp;: il existe un manque de compréhension entre les migrants et les citoyens de Calais. En même temps, avec la communication entre les deux personnages principaux, les obstacles et la peur de l’autre disparait. Ce que Marine le Pen encourage, c’est l’isolation, et avec l’isolation vient la peur et la haine.&amp;nbsp; Elle veut fermer les petits liens de communication qui existent entre les immigrés et la citoyenneté français pour «&amp;nbsp;protéger&amp;nbsp;» le public et la «&amp;nbsp;dignité&amp;nbsp;» de la culture française. Son discours aggrave la situation tendue et sert de crée une nouvelle frontière de la pensée qui essaie de confronter la situation à l’heure actuelle sans comprendre les effets de cette décision pour l’avenir.&lt;/p&gt;&#13;
&lt;p&gt;De plus, dans le reportage «&amp;nbsp;Bienvenue à Calais&amp;nbsp;» de Marie-Françoise Colombani et Damien Roudeau, la disparité entre les rêves d’une nouvelle vie et les réalités d’une existence comme «&amp;nbsp;homme-frontière&amp;nbsp;» compliquent les idées en noir sur blanc diffusé par le Front National. En fait, Marine le Pen et les autres dirigeants de cette formation politique utilise les images des femmes et des enfants français en disant qu’on doit les «&amp;nbsp;protéger&amp;nbsp;» contre les nouveaux influx des migrants clandestins. Les dessins du dessinateur Roudeau nous rappellent qu’on a aussi une obligation aux familles clandestins qui souffrent à l’intérieur de la France. Avec une voie à la citoyenneté, ces gens innocents peuvent ajouter à la richesse de la culture française. Les dessins et les petites anecdotes touchantes sont des rappels que l’humanité existent malgré les frontières nationales, et on a une obligation à accueillir ceux qui doivent abandonner leurs pays d’origine à cause de la violence et de la souffrance.&lt;/p&gt;</text>
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Westborough High School &#13;
Westborough, MA&#13;
Silver Key – Poetry &#13;
David Myers, Educator</text>
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